PRESS RELEASE MARE VINT (1942) and VILEN KÜNNAPU (1948) will open their co-exhibition Dialogue in Hobusepea gallery at 5pm on July 28, 2010. The idea of holding a co-exhibition by Mare Vint and Vilen Künnapu may sound suprising – however, while taking a close look at both artists's work of the present day and of the recent past, then one can perceive mysterious interconnections that allow to interpret their work presented together in one room. The first common feature of their work is metaphysics - the space and the object that besides their physical legibility and characteristics include directly perceptible spiritual power which, however, exists only when the viewer is open to spirituality. The question is whether we use that potential that has been given to all of us, just like learning to swim or cycle. The interconnections between the objects in the drawings dating back to 1970s by Mare Vint and the surroundings are quite conventional; throughout her artist years the metaphysical immensity goes gradually deeper and reaches the highest point in her recent paintings where Vint has used the pencil with extreme sensitivity. It can be stated that Mare Vint has found her Own Self: her work belongs to the world that is untouched by the ordinary and the new „paradigms in art“. Vint creates will full self-confidence and independence, just like other highly educated female art historians whose daily work is accompanied by computer keyboards - only that their paths never cross. Such is the difference between the fields of artists and art critics in Estonia today. It is a pity, as artists are able to apprehend the multifoldness of existence, many „curators“ of today's art scene can understand it only from the point of view of temporality and equability that are directed by the monsters called mass media and consumer society. The influence of symbols and unreal room concepts was strongly perceivable already in Vilen Künnapu's first art projects and at the beginning of 1970s. In fact, Künnapu first declared metaphysical art culture in Estonia in 1980s, while influencing young artist generation (for instance interior designer Mari Kurismaa and art grouping T-rühm) with his lectures and writings. Seemingly illogical connections can be recognised in almost all his objects, even those that have been realized – this is uncommon to Estonian architects who would normally find an excuse for the use of every screw. Yet, metaphysics does not only associate with immateriality: we can dream in the middle of the day, fantasize in the real city, and see revelations in existing objects. The question is whether we simply cast our eyes on something or contemplate it; whether we attach the dimension independent from indirect consumption to a real object. Poet Juhan Viiding (alias Jüri Üdi) was a genius who taught us to contemplate while wandering and strolling around. Among his followers are Vilen Künnapu, Leo Lapin, Andres Tolts, Ando Keskküla, Jüri Okas, Ott Arder and others who have simply walked around and contemplated the city, its houses, ruins, wasteland, the layers of painted walls and many other details. Metaphysics was born in the depths of such contemplation – we ourselves discovered the sacredness in those objects and the fact that the upper layer of all surroundings is only a decoration that is hiding the more complicated, the real world. Similar world, the moment between the idea and the project, is one of the intermediate phases in architecture. This includes both the physical and spiritual reality. However, the final result is often taken as the most important, leaving those moments of eternity without attention. One delves into the ordinary, just like the snow in winter that is beautiful but it is gone by summer. While the works by De Chirico (the founder of metaphysics) and Kazimir Malevich in 1930s can be associated with anxious metaphysics, mostly because of the times between two big wars, then today's artists Maret and Villu can be associated with the metaphysics of peace. Even if wars are held all the time around us, we have not experienced one: what we can do is to forward positive powers with our art, escaping both personal and general misery. Mare Vint is depicting the Cities of the Past and the South that are literally the revelations of her today's state of mind, thus those are the Cities of the Future. Vilen Künnapu is building sacred architectonics, stupas that express directs messages from the better world that is being built right here and right now! Leo Lapin June 2010 Exhibition will be open until August 9, 2010. Exhibition design Andres Tolts. MARE VINT Born on September 15, 1942 in Tallinn, Estonia. SELECTED SOLO EXHIBITIONS 2010 Tam Gallery, Tallinn ( with Jaanus Samma ) SELECTED GROUP EXHIBITIONS 2010 EXPO 2010, Estonian Pavilion, Shanghai, China SELECTED INTERNATIONAL EXHIBITIONS 2009 University of West of England, Bristol, England PRIZES 2009 Tallinn Drawing Triennial MANU PROPRIA, Estonia – a diploma WORKS POSSESSED BY Estonian Artist's Association, Tallinn, Estonia; The Art Museum of Estonia, Tallinn; Tartu Art Museum, Estonia; Pushkin Art Museum, Moscow, Russia; Tretjakov Gallery, Moscow, Russia; Ludwig Museum, Cologne, Germany; Library of Congress Collection, Washington D.C., USA; Sammlung Villany, Brandenburg, Germany; The New Orleans Art Museum, USA; Gallery GKM, Malmö, Sweden VILEN KÜNNAPUArcitect and artist, born in Tallinn in 1948. Graduated from the estonian Academy of Art in 1971. He is the author of numerous remarkable buildings, together with arcitect Ain Padrik has won many awards at international competitions (Arctic Centre, Rovaniemi, Finland, 1984; West Coast Gateway, Los Angeles, USA, 1988; Marja-Vantaa planning, Finland, 1992). From 1992 works at the company „Künnapu & Padrik“ together with Ain Padrik (Estonian Methodist Church, 1994; Hotel Radisson SAS, 1999; Viru Centre, 2004, all in Tallinn and Snailtower in tartu, 2008). He has published books about art, life and architecture: „Künnapu & Padrik. Selected works“ in 1999; „Across the Red River“ in 2001; „Temples and Towers“ in 2006; „Place. Image. Energy“ in 2010. Künnapu has participated in many art and architecture exhibitions with sculptures, models and public space installations („Taiwan Design Expo 2005“, Venice Biennale 2006, 2008; London Festival of Architecture, 2010). Has been a guest lecturer at universities in Scandinavian countries, Great Britain and Switzerland. Was professor of philosophy at Tartu University 2006-2007. He is currently professor of architecture at the Tallinn University of Applied Sciences and is co-owner of the company Künnapu & Padrik.
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