{"id":1809,"date":"2023-01-06T21:25:14","date_gmt":"2023-01-06T19:25:14","guid":{"rendered":"https:\/\/test.raplakunst.eu\/?p=1809"},"modified":"2023-01-06T21:25:14","modified_gmt":"2023-01-06T19:25:14","slug":"urmas-orgusaar-tagasivaade","status":"publish","type":"post","link":"https:\/\/galerii.eaa.ee\/vabaduse\/?p=1809","title":{"rendered":"Urmas Orgusaar. Tagasivaade<h3><span class='sec'>7-26.08.2014<\/span><\/h3>"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Urmas Orgusaar (1944) on omandanud kunstihariduse nahakunstnikuna, tegutsenud pikalt kunsti\u00f5petajana ning oma viimastel n\u00e4itustel esinenud maalidega.  Eesti kunstilukku on ta ennast j\u00e4\u00e4dvustanud nahakunstiga: tema selge, kuigi m\u00f5nigi kord ekspressiivselt d\u00fcnaamilise vormiga nahkehist\u00f6\u00f6 objektid, eelk\u00f5ige seinaplaadid, aga ka intarsiatehnikas k\u00f6ited ja karbid ning robustsev\u00f5itu nii-\u00f6elda talupoja popkunsti esemed kuuluvad meie nahakunsti klassikasse. Kunstniku 2004. aasta kataloogis kirjutab kunstiteadlane Inge Teder: &#8220;Urmas Orgusaare looming eristub v\u00e4ga erip\u00e4rasena eesti nahakunsti domineerivalt romantilise k\u00e4sitluslaadiga taustast.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vabaduse galerii n\u00e4itusel, nagu on osutatud juba ka pealkirjas, on taas vaadata nahkobjektid. Seda tagasivaatelist v\u00e4ljapanekut saab (ja tuleb) vaadata laiemas kontekstis kui pelgalt kunstniku 70. s\u00fcnnip\u00e4eva t\u00e4histamisena. Eesti nahakunst on viimasel ajal teinud l\u00e4bi suuri muudatusi, kunstiakadeemia nahakunstiosakonnal on selge siht nahadisaini (eelk\u00f5ige rakenduslikkuse suunas nagu jalatsid, kotid jne tarbeesemed) suunas, meie nahkk\u00f6ited on \u00e4ratanud ka rahvusvahelisemat t\u00e4helepanu, kuid selgelt piiritletud nishis. Nii ongi &#8220;Tagasivaade&#8221; kunstniku enda pilk oma varasemale loomingule, aga ka selle t\u00e4hendusele praeguses kontekstis.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/IMG_4949.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"515\" data-id=\"1811\" src=\"http:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/IMG_4949.jpg\" alt=\"\" class=\"wp-image-1811\" srcset=\"https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/IMG_4949.jpg 720w, https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/IMG_4949-300x215.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/MG_4991.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"446\" data-id=\"1812\" src=\"http:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/MG_4991.jpg\" alt=\"\" class=\"wp-image-1812\" srcset=\"https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/MG_4991.jpg 720w, https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/MG_4991-300x186.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Urmas Orgusaar (1944) on omandanud kunstihariduse nahakunstnikuna, tegutsenud pikalt kunsti\u00f5petajana ning oma viimastel n\u00e4itustel esinenud maalidega. Eesti kunstilukku on ta ennast j\u00e4\u00e4dvustanud nahakunstiga: tema selge, kuigi m\u00f5nigi kord ekspressiivselt d\u00fcnaamilise vormiga nahkehist\u00f6\u00f6 objektid, eelk\u00f5ige seinaplaadid, aga ka intarsiatehnikas k\u00f6ited ja karbid ning robustsev\u00f5itu nii-\u00f6elda talupoja popkunsti esemed kuuluvad meie nahakunsti klassikasse. Kunstniku 2004. aasta kataloogis [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[14],"tags":[],"class_list":["post-1809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-14"],"uagb_featured_image_src":{"full":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-17.jpg",720,220,false],"thumbnail":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-17-150x150.jpg",150,150,true],"medium":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-17-300x92.jpg",300,92,true],"medium_large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-17.jpg",720,220,false],"large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-17.jpg",720,220,false],"1536x1536":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-17.jpg",720,220,false],"2048x2048":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-17.jpg",720,220,false]},"uagb_author_info":{"display_name":"vabadusegalerii","author_link":"https:\/\/galerii.eaa.ee\/vabaduse\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Urmas Orgusaar (1944) on omandanud kunstihariduse nahakunstnikuna, tegutsenud pikalt kunsti\u00f5petajana ning oma viimastel n\u00e4itustel esinenud maalidega. Eesti kunstilukku on ta ennast j\u00e4\u00e4dvustanud nahakunstiga: tema selge, kuigi m\u00f5nigi kord ekspressiivselt d\u00fcnaamilise vormiga nahkehist\u00f6\u00f6 objektid, eelk\u00f5ige seinaplaadid, aga ka intarsiatehnikas k\u00f6ited ja karbid ning robustsev\u00f5itu nii-\u00f6elda talupoja popkunsti esemed kuuluvad meie nahakunsti klassikasse. Kunstniku 2004. aasta kataloogis&hellip;","_links":{"self":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/1809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1809"}],"version-history":[{"count":0,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/1809\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/media\/1810"}],"wp:attachment":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}