{"id":2218,"date":"2023-01-07T21:45:56","date_gmt":"2023-01-07T19:45:56","guid":{"rendered":"https:\/\/test.raplakunst.eu\/?p=2218"},"modified":"2023-01-07T21:45:56","modified_gmt":"2023-01-07T19:45:56","slug":"paul-rodgers-lilith-absentias","status":"publish","type":"post","link":"https:\/\/galerii.eaa.ee\/vabaduse\/?p=2218","title":{"rendered":"Paul Rodgers. Lilith Absentias

29.09-17.10.2018<\/span><\/h3>"},"content":{"rendered":"

Paul Rodgers. Lilith Absentias<\/strong><\/p>\n

Paul Rodgers on juba veerand sajandit elanud ja t\u00f6\u00f6tanud Eestis. Ta on \u00f5petanud kunstiakadeemias ja \u00f5petab siiani Kohila keskkoolis. Ta on osalenud aktiivselt siinses kunstielus nii kunstniku kui ka kuraatorina: olnud rahvusvaheliste tegevus- ja videokunsti s\u00fcndmuste nagu “KanaNahk” ja Viinistu tegevuskunstifestivali \u00fcks eestvedajaid, pidevalt on tal olnud isikun\u00e4itusi, ta on kunstir\u00fchmituse Eesti Energiad \u00fcks asutajaid. Paul Rodgers on meie oma “inglane”, kelle kodu on Eestis, kuid kelle isiklik kultuurikiht aitab tal kunstis teinekord tuua esile midagi, mida pelgalt siinse kogemusega ei oska t\u00e4hele panna.<\/p>\n

\"\"<\/a>Raul Rodgersi projektid, olgu siis isikun\u00e4ituse v\u00f5i performance’i vormis, on sageli sisaldanud mitmeid \u00fcksteist toetavad, kuid paralleelselt kulgevaid kihistusi. Nii nagu ta pole kunagi saanud m\u00f6\u00f6da suurest narratiivist, eksistentsiaalsetest k\u00fcsimustest, nii ka p\u00e4evakajalistest s\u00fcndmustest. Kuid p\u00e4evakajaline ei ole tema kunsti j\u00f5udnud mitte ainult suure narratiivi, aegadele vastu pannud v\u00e4\u00e4rtuss\u00fcsteemide, vaid ka kunstniku enda elukogemuse kaudu. Mida aeg edasi, seda enam on Paul Rodgersi teoste ajend olnud kultuurij\u00e4lg, m\u00f5ni varasem kunstiteos v\u00f5i -\u017eanr v\u00f5i viis, kuidas kunstnikud on oma aega ja \u00fchiskonda visuaalselt kirjeldanud, millist visuaalset m\u00e4rki on nad sellest tahtnud tulevikule j\u00e4tta, aga kuidas nad sellega on ka oma aja inimese ja tema arusaamadega manipuleerinud v\u00f5i kuidas ka nendega on manipuleeritud.<\/p>\n

Kui Paul Rodgersi eelmise, kaks aastat tagasi Hobusepea galeriis toimunud isikun\u00e4ituse t\u00f5uge oli nat\u00fc\u00fcrmort, elus sisalduv surma meeldetuletus v\u00f5i tema oma s\u00f5nade j\u00e4rgi surmas sisalduv elu element, siis n\u00fc\u00fcd on tema \u00fcks l\u00e4htepunkt XIX sajandi romantilise ajastu kunstniku oriendi, ise\u00e4ranis idamaise naise kuvand (Jean-Joseph Benjamin-Constanti maal “\u00d5htu terrassil (Maroko)”, 1879), Euroopa vaatepunkt, mille vastu L\u00e4his-Ida maades on innukalt v\u00f5ideldud, aga mida sama edukalt kasutatakse siiani, et luua endale sobiv kuvand ja sellega ka praegu manipuleerida. Teine on praeguse idamaise naise enesekuvand, naeratavad noored kurdi naisv\u00f5itlejad, snaiperid, kes on valmis oma rahva vabaduse eest elu andma. Kolmas on v\u00e4ikese vapra ja oma isale lojaalse t\u00fcdruku kuvand 1950ndate ameerika filmist, puhtuse ja s\u00fc\u00fctuse s\u00fcmbol. Kui 1950ndate traagilised filmid, ka emotsionaalsed thriller?id, l\u00f5ppesid tavaliselt \u00f5nnelikult, siis kurdi snaiperite puhul on pigem vastupidi.
\nN\u00e4ituse pealkiri “Lilith Absentias” osutab Lilithile, m\u00e4ssumeelsele iseseisvale naisele, olgu siis Vana testamendi Aadama esimese naise v\u00f5i veelgi varasemate mesopotaamia m\u00fc\u00fctide m\u00f5ttes, aga ka tema puudumisele, kohalolematusele v\u00f5i tema kohalolemises ka siis, kui teda p\u00e4riselt kohal ei ole. Kuid nagu kunstnik ise oma saates\u00f5nades \u00fctleb, on pealkiri siiski ainult vihje, kerge j\u00e4lg, mida m\u00f6\u00f6da endale oma jutustus kokku panna.
\nPaul Rodgersi ruumiinstallatsioonid kulgevad risoomsete jutustustena, millel on just selline algus, edasiarendus ja ka l\u00f5pp, kuigi l\u00f5pp ja algus kasvavad sageli kokku, nagu vaataja seda ise sealt v\u00e4lja loeb. Ehk milline on siis vaataja oma elu- ja kultuurikogemus.<\/p>\n

Reet Varblane
\nVabaduse galerii n\u00e4itusi toetavad Eesti Kultuurkapital ja Eesti Kultuuriministeerium.
\nT\u00e4name ArtProofi.<\/p>\n

Olen sageli m\u00e4rganud, et jutustustel ja luulel on sageli algus, kuid need arenevad omasoodu ja hakkavad elama oma elu, mis, kui tegemist on heade lugudega, viivad meid tundmatule territooriumile ja j\u00e4reldustele. \u00dcsna tihti panevad need j\u00e4reldused meid naasma algusessse, et seda siis muuta. See k\u00e4ib s\u00f5nade, keele ja kirjutamise p\u00f5neva olemuse juurde. Ka mina kirjutan, naudin seda ja v\u00f5itlen sellega. Kuigi visuaalse kunsti keel on teistsugune ja katse suruda visuaalse kunsti loomust s\u00f5nadesse tundub tihti viljatu ja eksitavgi, seda ise\u00e4ranis kunstnikule.
\nMu t\u00f6\u00f6dele on omane teatud narratiivsus, kuid neil on palju alguspunkte, seda nii kontseptuaalses kui ka ajalises m\u00f5ttes, et saaksin tuua v\u00e4lja kummalisi kaasav\u00f5nkumisi praeguse ajahetkega. Teoste elemente saab (s\u00f5nadega) kirjeldada, neist saab r\u00e4\u00e4kida individuaalses m\u00f5ttes ja vahest tuua esile isegi nende sotsiaalseid v\u00f5i poliitilise kaasav\u00f5nkumisi, kuid nende tegelik v\u00e4\u00e4rtus seisneb siiski se?les, kuidas need \u00fcksteisega suhestuvad ning s\u00f5nalisest selgitusest pole teoste tegelikul m\u00f5istmisel just palju abi. Isegi n\u00e4ituse pealkiri on ainult vihje, prel\u00fc\u00fcd. Seep\u00e4rast \u00e4rge v\u00f5tke s\u00f5nu liiga t\u00f5siselt, \u00e4ra oota sellest liiga palju.<\/p>\n

Paul Rodgers<\/p>\n

PAUL RODGERS
\npaulrodgers.eu
\nS\u00fcnd 1953<\/p>\n

Kunstiharidus \/ Art education:
\n1973 – 1974\u00a0\u00a0\u00a0\u00a0Hull College of Art, Foundation, UK
\n1978 – 1981\u00a0\u00a0\u00a0 Norwich School of Art, BA Fine Art, UK
\n1988 – 1989\u00a0\u00a0\u00a0 Chelsea School of Art, MA Sculpture, UK<\/p>\n

Kureeritud n\u00e4itused \/ Curated exhibitions:
\n1993 Tallinn Norwich Kunstikontakt, England
\n1994 Tallinn Norwich Kunstikontakt, Estonia
\n1995 Miranda Housden, Fertile, Tallinn Estonia
\n1995 Baltic SEAS, England
\n1996 Forgotten Present, Vilnius, Lithuania
\n1998\u00a0Earthly Delights, Tallinn Botanic Gardens
\n1999 Anatoomikum, Tartu, Estonia
\n2001 Eesti Energiad, Vienna, Austria
\n2001 Gooseflesh2, Rakvere, Estonia
\n2002 Gooseflesh3, Haapsalu, Estonia
\n2002 Dependency, non-dependency, Tallinn Art Hall, Estonia
\n2003 Mohni Island, Estonia
\n2004 Viinistu 2004, Estonia
\n2010 Kuu, Eesti Energiad at Unit B Gallery, San Antonio, Texas, USA
\n2011 Eesti Energiad, Gallery A, Turku, Finland
\n2013 Three men alone, Eesti Energiad, Kuenstlerhaus, Speyer, Germany<\/p>\n

Grupin\u00e4itused \/ Group:
\n2000 Construction in Process, Lodz, Poland
\n2000\u00a0Aids in Culture, Rotterman Art Museum, Tallinn
\n2000 Gooseflesh, Rakvere, Estonia
\n2000 View Assistance, Boswil, Switzerland
\n2001 Eesti Energia, WUK, Vienna, Austria
\n2001 Koost\u00f6\u00f6,\u00a0 Rakvere Museum, Estonia
\n2001 Library of Unpublished Works,House Gallery, London
\n2001 Groundrush, Tartu, Estonia
\n2002 Circus of Life, Tallinn. Estonia
\n2002 Eesti Energiad – Kuu, Hafnarborg, Iceland
\n2002 Gooseflesh3, Haapsalu, Estonia (with Anne Daniela Rodgers)
\n2002 Evidence, Essor Gallery, London
\n2002 Kuu, Hafnarborg Museum, Iceland
\n2003 Mohni, Mohni Island, Estonia
\n2003 Estonian Art after the Second World War, Estonian Art Museum, Tallinn
\n2004 Riga Sculpture Quadennial, Latvia (with Anne Daniela Rodgers)
\n2004 Viinistu 2004, Estonia
\n2005 Beijing Biennale, China
\n2005 C1119-Dead Dog, Edinburgh. Scotland
\n2006 Wave, Estonian Sculpture Association, J\u00f5hvi. Estonia
\n2006 City. One Zero Gallery, Edinburgh. Scotland
\n2007 Backward Blues, National Centre for Contemporary Art, Moscow
\n2007 Power and freedom, Tallinn Art Hall,\u00a0\u00a0\u00a0\u00a0 and P\u00e4rnu, Estonia
\n2008\u00a0Obscurum per obscurius, Tallinn Art Hall (with Anne Daniela Rodgers)
\n2009 Pornography, Rakvere Museum, Estonia (with Anne Daniela Rodgers)
\n2009 Seanahk, Haapsalu. Estonia (with Anne Daniela Rodgers)
\n2010 Seanahk, Haapsalu. Estonia
\n2010 Kuu, Eesti Energiad at Unit B Gallery, San Antonio, Texas, USA
\n2011 Meeting with a friend in Marfa, Eesti Energiad, Gallery A, Turku, Finland
\n2011 Never Built Monuments, National Gallery of Art Vilnius, Lithuania
\n2011 Eesti Energiad, Tbilisi, Georgia
\n2012 \u00dchislinn, Tallinn, Estonia
\n2013 Three men alone, Eesti Energiad, Kuenstlerhaus, Speyer, Germany
\n2015 Game, Palmse M\u00f5is, Estonia
\n2015 P\u00e4rnu Art Museum, Sculptors Association show, Estonia<\/p>\n

Isikun\u00e4itused \/ Solo or tandem:
\n1987 Lanchester Gallery, Coventry. UK
\n1989 Midlands Art Centre, Birmingham UK
\n1991 Windsor Art Centre, UK
\n1993 Collective Gallery, Edinburgh UK
\n1993 Sammas Gallery, Tallinn, Estonia
\n1995 Sammas Gallery, Tallinn, Estonia
\n1997 Botanic Gardens, Tallinn Estonia
\n1998 Peri Gallery, Turku, Finland (with J\u00fcri Ojaver)
\n1999 K\u00fctiorg Sculpture Park, Estonia
\n2000 Zebra Gallery, Tartu, Estonia
\n2000 Kohila High School, Estonia
\n2002 Art Hall Gallery, Tallinn Estonia
\n2002 Hansapank Gallery, Tallinn (with Anne Daniela Rodgers)
\n2005 Sniff sniff, City Gallery, Tallinn, Estonia
\n2006 Art Museum Tartu, Estonia (with Anne Daniela Rodgers)
\n2007 Transplants, Hobusepea gallery, Tallinn, Estonia
\n2009 Hobusepea gallery, Tallinn, Estonia
\n2012 Hobusepea gallery, Tallinn, Estonia
\n2014 Relative Narratives, Art Hall Gallery, Tallinn, Estonia (with Anne Daniela Rodgers)
\n2016 Still lives, Hobusepea gallery, Tallinn, Estonia<\/p>\n","protected":false},"excerpt":{"rendered":"

Paul Rodgers. Lilith Absentias Paul Rodgers on juba veerand sajandit elanud ja t\u00f6\u00f6tanud Eestis. Ta on \u00f5petanud kunstiakadeemias ja \u00f5petab siiani Kohila keskkoolis. Ta on osalenud aktiivselt siinses kunstielus nii kunstniku kui ka kuraatorina: olnud rahvusvaheliste tegevus- ja videokunsti s\u00fcndmuste nagu “KanaNahk” ja Viinistu tegevuskunstifestivali \u00fcks eestvedajaid, pidevalt on tal olnud isikun\u00e4itusi, ta on kunstir\u00fchmituse […]<\/p>\n","protected":false},"author":1,"featured_media":2219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[22],"tags":[],"class_list":["post-2218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-22"],"uagb_featured_image_src":{"full":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-68.jpg",900,220,false],"thumbnail":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-68-150x150.jpg",150,150,true],"medium":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-68-300x73.jpg",300,73,true],"medium_large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-68-768x188.jpg",768,188,true],"large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-68.jpg",900,220,false],"1536x1536":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-68.jpg",900,220,false],"2048x2048":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-68.jpg",900,220,false]},"uagb_author_info":{"display_name":"vabadusegalerii","author_link":"https:\/\/galerii.eaa.ee\/vabaduse\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Paul Rodgers. Lilith Absentias Paul Rodgers on juba veerand sajandit elanud ja t\u00f6\u00f6tanud Eestis. Ta on \u00f5petanud kunstiakadeemias ja \u00f5petab siiani Kohila keskkoolis. Ta on osalenud aktiivselt siinses kunstielus nii kunstniku kui ka kuraatorina: olnud rahvusvaheliste tegevus- ja videokunsti s\u00fcndmuste nagu “KanaNahk” ja Viinistu tegevuskunstifestivali \u00fcks eestvedajaid, pidevalt on tal olnud isikun\u00e4itusi, ta on kunstir\u00fchmituse…","_links":{"self":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2218"}],"version-history":[{"count":0,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2218\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/media\/2219"}],"wp:attachment":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}