{"id":2238,"date":"2023-01-07T21:54:14","date_gmt":"2023-01-07T19:54:14","guid":{"rendered":"https:\/\/test.raplakunst.eu\/?p=2238"},"modified":"2023-01-07T21:54:14","modified_gmt":"2023-01-07T19:54:14","slug":"ivi-arrak-valguse-poole","status":"publish","type":"post","link":"https:\/\/galerii.eaa.ee\/vabaduse\/?p=2238","title":{"rendered":"Ivi Arrak. Valguse poole

21.12.2018-9.01.2019<\/span><\/h3>"},"content":{"rendered":"\n

Ivi Arrak. Valguse poole. 21. XII ? 9. I 2019<\/strong><\/p>\n\n\n\n

Ps\u00fchholoogitaustaga Ivi Arrak on maalikunstnikuna tegutsenud 1990ndate algusest. Tema esimene isikun\u00e4itus oli 2004. aastal Tartus Tampere Majas, sellele j\u00e4rgnesid isikun\u00e4itused Tallinnas G-galeriis (2007), Draakoni (2008), Hausi (2010), Tami galeriis (2012), r\u00e4\u00e4kimata koosesinemistest J\u00fcri Arrakuga Viinistu kunstimuuseumis (2009), Sofias (2011), Helsingi Eesti suursaatkonnas (2011), Riias (2012), Narva kolled\u017eis (2013), maalikunstnike liidu v\u00f5i kunstnike liidu aastan\u00e4itustest.<\/p>\n\n\n\n

Kui vaadata tema varasemaid n\u00e4itusi, siis nende temaatika on olnud, nii nagu seekordki seotud valguse ja peegeldustega. Juba n\u00e4ituste pealkirjades on kunstnik osutanud kas abstraktsemale m\u00f5istele, seisundile (“Valgus ja v\u00e4rv”, “Peegeldused”) v\u00f5i ka isiklikule l\u00e4bielamisele, tema enda emotsioonile (“Tundlik teekond”). Ka praegune isikun\u00e4itus osutab taas otseselt valgusele, selle t\u00e4htsusele maalikunstis, aga ka elus. Seda enam, et n\u00e4itus toimub talvise p\u00f6\u00f6rip\u00e4eva ja j\u00f5ulude ajal, kui poeetiliselt v\u00e4ljendudes hakkab pimedus andma teed valgusele. Ivi Arrak on ka ise s\u00fcndinud detsembri l\u00f5pul.<\/p>\n\n\n\n

Ivi Arrak ei jutusta lugusid, ei konstrueeri ei enda ega ka teiste eluseikade p\u00f5hjal uut tervikut. Tema kunsti v\u00f5ib vaadata XX sajandi esimese poole abstraktse ekspressionismi v\u00f5tmes, sest temagi on sidunud valgust ja v\u00e4rvi helidega, p\u00fc\u00fcdnud leida helidele vasteid v\u00e4rvi ja eelk\u00f5ige valguse abil (“V\u00e4rvi heli”, “T\u00f5usev heli”), nagu tegi n\u00e4iteks Vassili Kandinski, kuid selle erinevusega, et ta ei v\u00f5ta aluseks midagi reaalsest maailmast, mida siis stilisatsiooni ja \u00fcldistamise abil abstraktseks muuta. Ivi Arrak l\u00e4htub kas oma emotsioonist v\u00f5i ka \u00fcldisemast abstraktsest m\u00f5istest ja p\u00fc\u00fcab seda siis v\u00f5imalikult t\u00e4pselt, adekvaatselt v\u00e4rvide ja pinnat\u00f6\u00f6tluse, faktuuri abil edasi anda. Kunstniku maalimisviisi v\u00f5ib iseloomustada meditatiivse, isegi teraapilise k\u00e4itumisena: piltlikult \u00f6eldes unustab kunstnik ennast maalima, et siis suhteliselt \u00fchelaadsest motiivist, seisundist, ikka ja j\u00e4lle teda huvitavast (vaevavast) teemast tuua v\u00e4lja midagi, mis on just maalimise ajal \u00f5ige. Aga neid v\u00f5ib vaadata ka nii-\u00f6elda teaduslikumas v\u00f5tmes, taevakehade, aga miks mitte universumide muutumise, tekkimise ja kadumise, vastastikuse m\u00f5jutamise v\u00f5tmes. Ka selle t\u00f5lgenduse puhul ei saa r\u00e4\u00e4kida struktuuride ja s\u00fcsteemide konstrueerimisest, siingi ei saa m\u00f6\u00f6da kunstniku enda sisemise rahu ja tasakaalu otsingutest.<\/p>\n\n\n\n

Reet Varblane<\/p>\n\n\n\n

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Ivi Arrak. Valguse poole. 21. XII ? 9. I 2019 Ps\u00fchholoogitaustaga Ivi Arrak on maalikunstnikuna tegutsenud 1990ndate algusest. Tema esimene isikun\u00e4itus oli 2004. aastal Tartus Tampere Majas, sellele j\u00e4rgnesid isikun\u00e4itused Tallinnas G-galeriis (2007), Draakoni (2008), Hausi (2010), Tami galeriis (2012), r\u00e4\u00e4kimata koosesinemistest J\u00fcri Arrakuga Viinistu kunstimuuseumis (2009), Sofias (2011), Helsingi Eesti suursaatkonnas (2011), Riias (2012), […]<\/p>\n","protected":false},"author":1,"featured_media":2239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[22],"tags":[],"class_list":["post-2238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-22"],"uagb_featured_image_src":{"full":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-71.jpg",900,220,false],"thumbnail":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-71-150x150.jpg",150,150,true],"medium":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-71-300x73.jpg",300,73,true],"medium_large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-71-768x188.jpg",768,188,true],"large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-71.jpg",900,220,false],"1536x1536":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-71.jpg",900,220,false],"2048x2048":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-71.jpg",900,220,false]},"uagb_author_info":{"display_name":"vabadusegalerii","author_link":"https:\/\/galerii.eaa.ee\/vabaduse\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Ivi Arrak. Valguse poole. 21. XII ? 9. I 2019 Ps\u00fchholoogitaustaga Ivi Arrak on maalikunstnikuna tegutsenud 1990ndate algusest. Tema esimene isikun\u00e4itus oli 2004. aastal Tartus Tampere Majas, sellele j\u00e4rgnesid isikun\u00e4itused Tallinnas G-galeriis (2007), Draakoni (2008), Hausi (2010), Tami galeriis (2012), r\u00e4\u00e4kimata koosesinemistest J\u00fcri Arrakuga Viinistu kunstimuuseumis (2009), Sofias (2011), Helsingi Eesti suursaatkonnas (2011), Riias (2012),…","_links":{"self":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2238"}],"version-history":[{"count":0,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2238\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/media\/2239"}],"wp:attachment":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}