{"id":2255,"date":"2023-01-07T21:59:40","date_gmt":"2023-01-07T19:59:40","guid":{"rendered":"https:\/\/test.raplakunst.eu\/?p=2255"},"modified":"2023-01-07T21:59:40","modified_gmt":"2023-01-07T19:59:40","slug":"juss-piho-vabaduse-nurk","status":"publish","type":"post","link":"https:\/\/galerii.eaa.ee\/vabaduse\/?p=2255","title":{"rendered":"Juss Piho. Vabaduse nurk

22.02-13.03.2019<\/span><\/h3>"},"content":{"rendered":"\n

Juss Piho. Vabaduse nurk<\/strong><\/p>\n\n\n\n

Kuigi Juss Piho (1963) tuli Eesti kunsti karikaturistina 1970ndate l\u00f5pul, ta on illustreerinud mitmeid raamatuid ja p\u00e4lvinud nende eest rahvusvahelisi auhindu, on ta kunsti ennast kinnistanud just maalikunstnikuna. Viimastel aastatel on tal olnud j\u00e4rjest mitmeid isikun\u00e4itusi nagu n\u00e4iteks Rae Kunsti Platsis (“Departures “, 207), Viinistu kunstimuuseumis (“Figuurid”, 2017), P\u00e4rnu uues kunsti muuseumis ja Endla Teatrigaleriis (“Raport”, 2017), Hausi galeriis (“Formaat”, 2018), Nooruse galeriis Tartus (“Kaasaegsed figuurid”, 2018). Vabaduse galerii isikun\u00e4itus ei j\u00e4\u00e4 ka t\u00e4navu tal ainukeseks, P\u00e4rnu Linnagaleriis on plaanis “Uued figuurid”.<\/p>\n\n\n\n

Juss Piho maale v\u00f5ib nimetada metaf\u00fc\u00fcsilisteks, kui m\u00f5elda eelk\u00f5ige maalis kujutatud teatraalse, m\u00f5ne kultuuriliselt laetud (sammas) v\u00f5i korduva (nurk) detailiga ruumi peale, aga ka s\u00fcrrealistlikeks, kui m\u00f5elda eelk\u00f5ige kummastavate esemete peale. Kuid, kui kasutada kirjanik Toomas Raudami t\u00e4helepanekut, siis on need kummastavad detailid niisama kodused kui tolmulapp v\u00f5i lael\u00fchter v\u00f5i punase varrega p\u00fcrst pliidi ees. Sest kohe on aru saada, mis on mis. Kunstniku maalil omandavad need pahatihti aga mitte just k\u00f5ige argisema t\u00e4henduse.
Enamik Piho maale on figuratiivsed, olgu siis tegelaseks inimene v\u00f5i loom. Tema maalidest v\u00f5ib r\u00e4\u00e4kida kui lavastatud lugudest, kus tegelased on omavahel seotud, kuid kust ei selgu, millised on nende suhted. Suure loo sees on tavaliselt mitmeid v\u00e4ikesi, n\u00e4iliselt juhuslikke lookesi, misanstseene. V\u00f5i kui kasutada Roland Barthes’i k\u00fcll fotograafia kohta k\u00e4ivat s\u00f5navara, siis ka Juss Piho maalide v\u00f5lu ja sageli intriig ei peitu mitte studium?is ehk kompositsioonis, vaid punctum’is ehk siis esmapilgul t\u00e4hele panemata detailis, ?estis, n\u00e4oilmes, pilgus. Seda ise\u00e4ranis siis, kui ilme v\u00f5i pilk on kujuteldav, sest figuuril puuduvad n\u00e4gu v\u00f5i silmad v\u00f5i suu v\u00f5i ta on vaataja poole seljaga.
Juss Piho ei kasuta maalimisel pintslit, tema t\u00f6\u00f6riistadeks on igasuguses m\u00f5\u00f5dus pahtlilabidad, kaabitsad. Ta ei alusta maalimist valgest pinnast, vaid kasutab tumedat krunti, et saada salap\u00e4raselt s\u00e4ravat v\u00e4rvi.<\/p>\n\n\n\n

“Vabaduse nurga” maalid olid m\u00f6\u00f6dunud aastal v\u00e4ljas ka kunstniku isikun\u00e4itusel Tartu Nooruse galeriis, kuid nagu teatrietendus, nii toimivad maalid, ise\u00e4ranis teatraalsed, lavastuslikud maalid igas uues koosluses ja eksponeerimisruumis t\u00e4iesti isemoodi. N\u00e4iteks Vabaduse galerii v\u00e4ljapaneku v\u00f5tmeteos “Nurgal” toimib koos “Godot’ga” tervikuna, m\u00f5ttelise \u00fchisruumi t\u00f5ttu v\u00f5tavad ahvatlevasse valgusvoogu astuvad tegelased \u00fcle Becketti ootajate rolli, kuid eksistentsiaalse \u00e4ngi asemel on neis pigem vabaduse lootust. Kuigi nagu ka teiste Juss Piho maalide puhul, on seegi tunne ambivalentne.<\/p>\n\n\n\n

Reet Varblane<\/p>\n\n\n\n

Galeriid toetavad Eesti Vabariigi Kultuuriministeerium ja Eesti Kultuurkapital.<\/p>\n\n\n\n

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Juss Piho. Vabaduse nurk Kuigi Juss Piho (1963) tuli Eesti kunsti karikaturistina 1970ndate l\u00f5pul, ta on illustreerinud mitmeid raamatuid ja p\u00e4lvinud nende eest rahvusvahelisi auhindu, on ta kunsti ennast kinnistanud just maalikunstnikuna. Viimastel aastatel on tal olnud j\u00e4rjest mitmeid isikun\u00e4itusi nagu n\u00e4iteks Rae Kunsti Platsis (“Departures “, 207), Viinistu kunstimuuseumis (“Figuurid”, 2017), P\u00e4rnu uues kunsti […]<\/p>\n","protected":false},"author":1,"featured_media":2256,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[24],"tags":[],"class_list":["post-2255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-24"],"uagb_featured_image_src":{"full":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-73.jpg",665,220,false],"thumbnail":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-73-150x150.jpg",150,150,true],"medium":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-73-300x99.jpg",300,99,true],"medium_large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-73.jpg",665,220,false],"large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-73.jpg",665,220,false],"1536x1536":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-73.jpg",665,220,false],"2048x2048":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-73.jpg",665,220,false]},"uagb_author_info":{"display_name":"vabadusegalerii","author_link":"https:\/\/galerii.eaa.ee\/vabaduse\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Juss Piho. Vabaduse nurk Kuigi Juss Piho (1963) tuli Eesti kunsti karikaturistina 1970ndate l\u00f5pul, ta on illustreerinud mitmeid raamatuid ja p\u00e4lvinud nende eest rahvusvahelisi auhindu, on ta kunsti ennast kinnistanud just maalikunstnikuna. Viimastel aastatel on tal olnud j\u00e4rjest mitmeid isikun\u00e4itusi nagu n\u00e4iteks Rae Kunsti Platsis (“Departures “, 207), Viinistu kunstimuuseumis (“Figuurid”, 2017), P\u00e4rnu uues kunsti…","_links":{"self":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2255"}],"version-history":[{"count":0,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2255\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/media\/2256"}],"wp:attachment":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}