{"id":2275,"date":"2023-01-07T22:03:30","date_gmt":"2023-01-07T20:03:30","guid":{"rendered":"https:\/\/test.raplakunst.eu\/?p=2275"},"modified":"2023-01-07T22:03:30","modified_gmt":"2023-01-07T20:03:30","slug":"sirje-eelma-bottobaapa","status":"publish","type":"post","link":"https:\/\/galerii.eaa.ee\/vabaduse\/?p=2275","title":{"rendered":"Sirje Eelma. Bottobaapa

5-24.04.2019<\/span><\/h3>"},"content":{"rendered":"\n

Sirje Eelma salap\u00e4raselt pealkirjastatud n\u00e4itust v\u00f5ib vaadata kui kummardust saamidele ja laplastele, eelk\u00f5ige aga \u00fcrgsele loodusele, mis mujal Euroopas kipub lootuselt kaduma. Selle taga peitub kindlasti suurem imetlus ainult looduses ilmneva tasakaalustava j\u00f5u vastu.<\/strong><\/p>\n\n\n\n

Kuigi v\u00e4ljapaneku kese on autori segatehnikas, sest klassikalistele s\u00fcgavtr\u00fckitehnikatele on ta lisanud fotot, valmisesemeid jms, graafilised lehed, ei ole terviku seisukohast sugugi v\u00e4hem t\u00e4htsad v\u00e4ljapaneku ruumilised elemendid ? kivikujutised ja elegantse graafilise joonega redel, mida kaunistab klaasist n\u00e4okujutis. Ka Vottovaara ekspeditsiooni dokumentatsioonil, \u00f5igemini selle p\u00f5hjal tehtud videol, nii-\u00f6elda algmaterjalil on v\u00e4ljapaneku m\u00f5istmisel t\u00e4htis roll. Videoteosega ei looda pelgalt harrast tausta, vaid selles tuleb h\u00e4sti esile praeguse aja linnainimese ebalevus, aga ka elevus \u00fcrgse loodusega kokkupuutumisel.
<\/p>\n\n\n\n

Graafiliste lehtede tr\u00fckkimiseks on Sirje Eelma kasutanud oma vanu tr\u00fckiplaate, et struktuuride ja pindade kombineerimisega n\u00e4idata olnut ? ka oma varasema loomingu m\u00f5ttes ? v\u00e4rske kogemuse abil teistsuguses valguses. Ka Vottovaara kividesse ja kividele on aegade jooksul lisandunud inimese j\u00e4ljed. Kunstniku eetilisele esteetikale, materjali taaskasutamisele, keskkonnas\u00f5bralikule loomingulisele meetodile p\u00f6\u00f6ras t\u00e4helepanu juba \u00fcheksa aastat tagasi kunstiteadlane Elnara Taidre, kui ta kirjutas Sirje Eelma eelmisest n\u00e4itusest Vabaduse galeriis (Sirp 5. XI 2010).
Praegusel n\u00e4itusel saab s\u00e4\u00e4stlikkusest r\u00e4\u00e4kida mitte ainult materjalide, vaid ka t\u00f6\u00f6j\u00f5u, energia ja aja s\u00e4\u00e4stlikkuse m\u00f5ttes. Et m\u00e4nguliselt elegantsed kujundid, kahem\u00f5\u00f5tmelised graafilised lehed ei j\u00e4\u00e4ks liialt alla algmaterjali tahumatule v\u00f5imsusele, vajas kunstnik oma ?Bottobaapasse? kolmem\u00f5\u00f5tmelisi ekvivalente. Skulptor Terje Ojaver on k\u00fcmmekond aastat v\u00f5tnud p\u00e4ris kividelt vormi ja toonud need kunstikonteksti: eksponeerinud koos v\u00e4ikelaste r\u00f5ivastega, pannud Riia vanalinnas liikuma, riputanud lake jne. Seekord osaleb ta k\u00fclalisena ?Bottobaapas?: vaataja ette on toodud nii-\u00f6elda \u00f5pikun\u00e4ide, kuidas kahem\u00f5\u00f5tmeline kujutis n\u00e4eb kolmem\u00f5\u00f5tmelisena v\u00e4lja. Kuid nihestatud Bottobaapas ei ole Ojaveri plastikust kivikujutis pelgalt teisend, vaid omamoodi v\u00e4ike simulaakrum, trikk tasakaalu, v\u00f5imalikkuse ja v\u00f5imatusega. Ka Rait Pr\u00e4\u00e4tsa loodud naise n\u00e4oga klaasist objekt ei ole mitte ainult elegantse ruumilise graafilise vormi ? redelikujutuse visuaalne keskpunkt, vaid see kordub mitmes Sirje Eelma graafilises lehes ning l\u00f5petab tema koonduva pildirea. Selles pildireas on mitmeid Bottobaapa v\u00e4\u00e4rilisi nihestusi: koonduvat (kas kahanev v\u00f5i kasvav, oleneb kust poolt vaadata) perspektiivi on kujundusega teadlikult rikutud, k\u00f5ige viimasel lehel on kunstniku enda noorp\u00f5lve foto, graafilised lehed on kinnitatud n\u00f6\u00f6pn\u00f5eltega, millest on saanud lehe osad).<\/p>\n\n\n\n


Elnara Taidre alustas oma artiklit lausega: “Autori j\u00e4rjekindel soov k\u00f5netada oma t\u00f6\u00f6dega n\u00fc\u00fcdisgraafikat, selle v\u00f5imalusi ja eesm\u00e4rke (kunsti)maailmas, teeb v\u00e4ljapanekust laiema\u00a0arutluse graafika kui kunstiliigi ja visuaalse v\u00e4ljenduse \u00fcle.” See k\u00e4ib vaieldamatult ka selle v\u00e4ljapaneku kohta, nagu seegi, et Sirje Eelmale on v\u00f5rdselt t\u00e4htsad ruumi visuaalne terviklavastus ja selle \u00fcksikosad. Tema igal metakunstiteosel, tervikul on aga iga kord uus t\u00e4hendus. “Bottobaapa” r\u00e4\u00e4gib meile meist endist just praegu.<\/p>\n\n\n\n

Reet Varblane<\/p>\n\n\n\n

Ma pole seal kunagi k\u00e4inud ja v\u00e4ga t\u00f5en\u00e4oliselt ei l\u00e4he ka kunagi. \u00dchel p\u00e4eval kaks aastat tagasi, kui t\u00fctar oli koos ekstreemse reisiseltskonnaga Vene Karjalas, sain s\u00f5numi: “T\u00e4na l\u00e4heme Bottobaapasse.” No mis koht see k\u00fcll on?
Google andis vastuse. Kui kirillitsas “Bottobaapa” lugeda ladina moel, saame kentsaka s\u00f5na, aga kui lugeda seda vene keeles, saame soomekeelse kohanime Vottovaara. Vottom\u00e4gi.<\/p>\n\n\n\n

Iidsete saami jumalate p\u00fcha m\u00e4gi. Suured kivid, alt nagu lihvitud, toetumas v\u00e4ikestele kividele ja seismas v\u00f5imatul kallakul. Need fotod j\u00e4tsid mulle s\u00fcgava mulje. Laplaste ja saamide n\u00fc\u00fcdsed alad on palju enam p\u00f5hja pool, olen seal korduvalt k\u00e4inud, peamiselt Soomes ja Norras. Inari?\u00e4\u00e4rne karm ja karune loodus, tundrud, kivij\u00f5ed, kidur taimestik, see eriline \u00f5hk ja inimesed. Paik, kus v\u00e4\u00e4rtused saavad \u00f5igesse j\u00e4rjekorda.
Sellel n\u00e4itusel on k\u00f5ik ?valesti?. Alates n\u00e4ituse nimest. Kui saami jumalate Karjala-kodu kuulub n\u00fc\u00fcd Venemaale, siis kuidas saavad kivim\u00fcrakad seinal p\u00fcsida, kes on lihvinud kivide alumised k\u00fcljed ja asetanud suured kivid v\u00e4ikestele, ja kuidas saab kivim\u00e4gi lahkuda? Lisaks olen tekitatud valeperspektiivi, kus pildirida koondub ruuminurgast hoolimata.<\/p>\n\n\n\n

Sirje Eelma<\/p>\n\n\n\n

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Sirje Eelma salap\u00e4raselt pealkirjastatud n\u00e4itust v\u00f5ib vaadata kui kummardust saamidele ja laplastele, eelk\u00f5ige aga \u00fcrgsele loodusele, mis mujal Euroopas kipub lootuselt kaduma. Selle taga peitub kindlasti suurem imetlus ainult looduses ilmneva tasakaalustava j\u00f5u vastu. Kuigi v\u00e4ljapaneku kese on autori segatehnikas, sest klassikalistele s\u00fcgavtr\u00fckitehnikatele on ta lisanud fotot, valmisesemeid jms, graafilised lehed, ei ole terviku seisukohast […]<\/p>\n","protected":false},"author":1,"featured_media":2276,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[24],"tags":[],"class_list":["post-2275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-24"],"uagb_featured_image_src":{"full":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-75.jpg",900,220,false],"thumbnail":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-75-150x150.jpg",150,150,true],"medium":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-75-300x73.jpg",300,73,true],"medium_large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-75-768x188.jpg",768,188,true],"large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-75.jpg",900,220,false],"1536x1536":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-75.jpg",900,220,false],"2048x2048":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/folderimage-75.jpg",900,220,false]},"uagb_author_info":{"display_name":"vabadusegalerii","author_link":"https:\/\/galerii.eaa.ee\/vabaduse\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Sirje Eelma salap\u00e4raselt pealkirjastatud n\u00e4itust v\u00f5ib vaadata kui kummardust saamidele ja laplastele, eelk\u00f5ige aga \u00fcrgsele loodusele, mis mujal Euroopas kipub lootuselt kaduma. Selle taga peitub kindlasti suurem imetlus ainult looduses ilmneva tasakaalustava j\u00f5u vastu. Kuigi v\u00e4ljapaneku kese on autori segatehnikas, sest klassikalistele s\u00fcgavtr\u00fckitehnikatele on ta lisanud fotot, valmisesemeid jms, graafilised lehed, ei ole terviku seisukohast…","_links":{"self":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2275"}],"version-history":[{"count":0,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2275\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/media\/2276"}],"wp:attachment":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}