{"id":2611,"date":"2022-01-09T17:07:22","date_gmt":"2022-01-09T15:07:22","guid":{"rendered":"https:\/\/test.raplakunst.eu\/?p=2611"},"modified":"2022-01-09T17:07:22","modified_gmt":"2022-01-09T15:07:22","slug":"lola-liivat","status":"publish","type":"post","link":"https:\/\/galerii.eaa.ee\/vabaduse\/?p=2611","title":{"rendered":"Lola Liivat. Kogum 2011<h3><span class='sec'>8-31.12.2011<\/span><\/h3>"},"content":{"rendered":"<p>Lola Liivati kui abstraktsionismile ihu ja hingega p\u00fchendunud kunstniku jaoks selliseid k\u00fcsimusi ilmselt ei ole. Tema on looja, kes on veendunud just selle diskursuse \u00f5igsuses. Mis aga ei t\u00e4henda, et iga uus maal, loomeakt ei t\u00e4hendaks ka talle uut \u00fclesannet, k\u00f5hklusi, k\u00fcsimusi. Ja see on vaieldamatult Lola Liivati maalikunsti tugevaim ning alati hindamist v\u00e4\u00e4rt k\u00fclg. Ta ei ole k\u00fcll kunagi olnud m\u00fc\u00fcre purustav avangardist, kuid nii tema 1960ndate alguse pritsimistehnikas muusikaainelised interpretatsioonid, 1970ndate reaalse ja illusoorse ruumilisuse vahekorda vaatlevad assamblaa\u017eid, 1990ndate vabanemiskogemuse v\u00e4ljendused kui ka p\u00e4ris viimased, veidi pateetilised austusavaldused oma riigile r\u00e4\u00e4givad j\u00e4rjekindlusest, enesele kindlaksj\u00e4\u00e4misest ehk keskhoovuse trotsimisest.<\/p>\n<p>Reet Varblane<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lola Liivati kui abstraktsionismile ihu ja hingega p\u00fchendunud kunstniku jaoks selliseid k\u00fcsimusi ilmselt ei ole. Tema on looja, kes on veendunud just selle diskursuse \u00f5igsuses. Mis aga ei t\u00e4henda, et iga uus maal, loomeakt ei t\u00e4hendaks ka talle uut \u00fclesannet, k\u00f5hklusi, k\u00fcsimusi. Ja see on vaieldamatult Lola Liivati maalikunsti tugevaim ning alati hindamist v\u00e4\u00e4rt k\u00fclg. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-8"],"uagb_featured_image_src":{"full":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/Liivat_Keela-roomu-2007-O.l.jpg",1200,1393,false],"thumbnail":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/Liivat_Keela-roomu-2007-O.l-150x150.jpg",150,150,true],"medium":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/Liivat_Keela-roomu-2007-O.l-258x300.jpg",258,300,true],"medium_large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/Liivat_Keela-roomu-2007-O.l-768x892.jpg",768,892,true],"large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/Liivat_Keela-roomu-2007-O.l-882x1024.jpg",882,1024,true],"1536x1536":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/Liivat_Keela-roomu-2007-O.l.jpg",1200,1393,false],"2048x2048":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/Liivat_Keela-roomu-2007-O.l.jpg",1200,1393,false]},"uagb_author_info":{"display_name":"vabadusegalerii","author_link":"https:\/\/galerii.eaa.ee\/vabaduse\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Lola Liivati kui abstraktsionismile ihu ja hingega p\u00fchendunud kunstniku jaoks selliseid k\u00fcsimusi ilmselt ei ole. Tema on looja, kes on veendunud just selle diskursuse \u00f5igsuses. Mis aga ei t\u00e4henda, et iga uus maal, loomeakt ei t\u00e4hendaks ka talle uut \u00fclesannet, k\u00f5hklusi, k\u00fcsimusi. Ja see on vaieldamatult Lola Liivati maalikunsti tugevaim ning alati hindamist v\u00e4\u00e4rt k\u00fclg.&hellip;","_links":{"self":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2611"}],"version-history":[{"count":0,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/2611\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/media\/3100"}],"wp:attachment":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}