{"id":4823,"date":"2024-03-15T16:45:14","date_gmt":"2024-03-15T14:45:14","guid":{"rendered":"http:\/\/galerii.eaa.ee\/vabaduse\/?p=4823"},"modified":"2026-03-29T21:26:18","modified_gmt":"2026-03-29T18:26:18","slug":"mare-tralla-pam-skelton","status":"publish","type":"post","link":"https:\/\/galerii.eaa.ee\/vabaduse\/?p=4823","title":{"rendered":"MARE TRALLA, PAM SKELTON. Kummardu ja kata! \/ Duck and Cover!

26.04\u201322.05.2024\u00a0<\/span><\/h3>"},"content":{"rendered":"

Reedel, 26. aprillil kell 17.00 avatakse Vabaduse galeriis Mare Tralla ja Pam Skeltoni \u00fchisn\u00e4itus \u201eKummardu ja kata! \/ Duck and Cover!\u201c. N\u00e4itus j\u00e4\u00e4b avatuks kuni 22. maini, 2024.<\/strong><\/p>\n

N\u00e4ituse pealkiri on laen k\u00fclma s\u00f5ja aegsest ohutusmeetmest, millega \u00fcritati end l\u00e4\u00e4nes kaitsta v\u00f5imaliku tuumaplahvatuse tagaj\u00e4rgede eest. Maha kummardumine ja k\u00e4tega enda katmine tundus t\u00f5hus meetod, et pakkuda teatud kaitset inimestele, kes asusid v\u00e4ljaspool plahvatuse tulekera raadiust. Koolides viidi sageli l\u00e4bi \u201eKummardu ja kata\u201c (<\/span>Duck and Cover<\/span><\/i>) \u00f5ppusi ning n\u00e4idati selleteemalisi \u00f5ppefilme. Ka NSV Liidus \u00f5petati lapsi sarnaselt k\u00e4ituma.\u00a0<\/span><\/p>\n

N\u00e4itus \u201eKummardu ja kata\u201c koosneb Pam Skeltoni installatsioonist \u201eUkraine Suite\u201c<\/span> (\u201eUkraina s\u00fcit\u201c, 1996\u20132022) ja Mare Tralla interaktiivsest installatsioonist \u201eThe Orange Box\u201c (\u201eOran\u017e karp\u201c, 2022). M\u00f5lemat teost n\u00e4idati esmakordselt 2022. aastal The Out of the Blue Drill Hallis\u2019is Edinburghis Iliyana Nedkova kureeritud grupin\u00e4itusel \u201eConsequences. Art and Activism in the Nuclear Age\u201c<\/span> (\u201cTagaj\u00e4rjed. Kunst ja aktivism tuumaajastul\u201c) \u2013 see oli rahust, inimestest ja planeedist k\u00f5neleva kaheaastase projekti kulminatsioon, fookusega kahel olulisel ohul: tuumarelvadel ja kliimakatastroofil.\u00a0<\/span><\/p>\n

Kunstnikud Pam Skelton ja Mare Tralla on teinud koost\u00f6\u00f6d 1990. aastatest saadik. Neid \u00fchendab feministlik l\u00e4henemine m\u00e4lule ja ajaloole. Ometi on nende suhestumine ajalooga erinev. Tralla l\u00e4htub sageli isiklikust m\u00e4lust ja kogemustest. Pam Skeltoni praktika seevastu on uurimisp\u00f5hine. M\u00f5lemad kunstnikud \u00fchendavad oma praktikas ajaloo praeguste poliitiliste ja sotsiaalsete probleemidega. 1998. aastal kureerisid Skelton ja Tralla \u00fchiselt n\u00e4ituse \u201ePrivate views. Taas\/avastatud ruum eesti ja briti kaasaegses kunstis\u201c, mis leidis esmakordselt aset Eesti Kunstimuuseumi Rotermanni soolalao n\u00e4itusesaalis. Hiljem liikus n\u00e4itus edasi Ungarisse ning Women\u2019s Art Library in Londoni alt anti v\u00e4lja ka Angela Dimitrakaki, Pam Skeltoni ja Mare Tralla koostatud esseekogumik (2000).<\/span><\/p>\n

Mare Tralla <\/b>(snd 1967 Tallinnas) on kv\u00e4\u00e4r-feministlik kunstnik ja aktivist. Ta alustas oma professionaalset karj\u00e4\u00e4ri 1990. aastate alguses, olles \u00fcks esimesi feministlikke kunstnikke Eesti kaasaegse kunsti v\u00e4ljal. L\u00e4htudes oma isiklikust ajaloost ja igap\u00e4evastest kogemustest, toimis tema looming otsese kriitilise reaktsioonina sellele, kuidas m\u00f5jus Ida-Euroopa \u00fchiskondade \u00fcleminekuperiood naistele. Ta kasutab ja kombineerib oma loomingus erinevaid meediume nagu video, foto, <\/span>performance<\/span><\/i>, interaktiivne meedia, maal ja erinevad traditsioonilise k\u00e4sit\u00f6\u00f6 vormid. Aktivistina on ta olnud seotud selliste liikumistega nagu Act Up, London, Catwalk4Power, No Pride in War ja LGSMigrants. Tema viimatised performatiivsed projektid on k\u00e4sitlenud kv\u00e4\u00e4rkogemust ja sook\u00fcsimusi, HIV-nakkusega seotud stigmat, ning uurinud j\u00e4tkusuutlikkuse ja s\u00e4\u00e4stlikkuse teemasid. Hetkel elab Mare Tralla Edinburghis. Koduleht: <\/span>www.tralla.net\/<\/span>\u00a0<\/span><\/a><\/p>\n

Pam Skelton<\/b> (snd 1949 Harrogate\u2019is Yorkshire\u2019is) on Inglise kunstnik, haridust\u00f6\u00f6taja ja teadur, kes uurib oma loomingus Euroopa konfliktide p\u00e4randit. Tema n\u00e4ituste hulka kuuluvad: \u201eDangerous Places: Ponar\u201c, 1995; \u201eThe X Mark of Dora Newman\u201c, 1994\u20132000; \u201eLiquidators (of Chernobyl)\u201c 1996\u20132000; \u201eBurning Poems\u201c, 2005\u20132007; \u201eConspiracy Dwellings\u201c, 2007\u20132010; \u201eArchive of Exile\u201c, 2011; \u201eCartographies of Life and Death\u201c, 2013; \u201eWe Refuse to be Scapegoats\u201c, 2021. Skelton elab ja t\u00f6\u00f6tab 1992. aastast Londonis. Koduleht: <\/span>pamskelton.org<\/span><\/a><\/p>\n

N\u00e4itust toetab: Eesti Kultuurkapital.<\/span><\/p>\n

T\u00e4name: Eesti Kaasaegse Kunsti Muuseum, Eesti Kunstiakadeemia fotograafia osakond.<\/span><\/p>\n

Vabaduse galeriid toetavad: Eesti Kultuuriministeerium, Eesti Kultuurkapital, AS Liviko.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Reedel, 26. aprillil kell 17.00 avatakse Vabaduse galeriis Mare Tralla ja Pam Skeltoni \u00fchisn\u00e4itus \u201eKummardu ja kata! \/ Duck and Cover!\u201c. N\u00e4itus j\u00e4\u00e4b avatuks kuni 22. maini, 2024. N\u00e4ituse pealkiri on laen k\u00fclma s\u00f5ja aegsest ohutusmeetmest, millega \u00fcritati end l\u00e4\u00e4nes kaitsta v\u00f5imaliku tuumaplahvatuse tagaj\u00e4rgede eest. Maha kummardumine ja k\u00e4tega enda katmine tundus t\u00f5hus meetod, et […]<\/p>\n","protected":false},"author":1,"featured_media":4888,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[394],"tags":[],"class_list":["post-4823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-394"],"uagb_featured_image_src":{"full":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/PHOTO-2024-04-18-15-29-12_edit_crop.png",1611,1137,false],"thumbnail":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/PHOTO-2024-04-18-15-29-12_edit_crop-150x150.png",150,150,true],"medium":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/PHOTO-2024-04-18-15-29-12_edit_crop-300x212.png",300,212,true],"medium_large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/PHOTO-2024-04-18-15-29-12_edit_crop-768x542.png",768,542,true],"large":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/PHOTO-2024-04-18-15-29-12_edit_crop-1024x723.png",1024,723,true],"1536x1536":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/PHOTO-2024-04-18-15-29-12_edit_crop-1536x1084.png",1536,1084,true],"2048x2048":["https:\/\/galerii.eaa.ee\/vabaduse\/wp-content\/uploads\/PHOTO-2024-04-18-15-29-12_edit_crop.png",1611,1137,false]},"uagb_author_info":{"display_name":"vabadusegalerii","author_link":"https:\/\/galerii.eaa.ee\/vabaduse\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Reedel, 26. aprillil kell 17.00 avatakse Vabaduse galeriis Mare Tralla ja Pam Skeltoni \u00fchisn\u00e4itus \u201eKummardu ja kata! \/ Duck and Cover!\u201c. N\u00e4itus j\u00e4\u00e4b avatuks kuni 22. maini, 2024. N\u00e4ituse pealkiri on laen k\u00fclma s\u00f5ja aegsest ohutusmeetmest, millega \u00fcritati end l\u00e4\u00e4nes kaitsta v\u00f5imaliku tuumaplahvatuse tagaj\u00e4rgede eest. Maha kummardumine ja k\u00e4tega enda katmine tundus t\u00f5hus meetod, et…","_links":{"self":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/4823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4823"}],"version-history":[{"count":6,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/4823\/revisions"}],"predecessor-version":[{"id":5335,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/posts\/4823\/revisions\/5335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=\/wp\/v2\/media\/4888"}],"wp:attachment":[{"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerii.eaa.ee\/vabaduse\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}